Dalí, Picasso, Warhol, O’Keeffe. Hemingway, Dickens, Twain. These are artists and authors who only need one name for recognition. They are titans of creativity who created some of the most memorable pieces of artwork and literature ever. Period. The word legend is grossly overused, but these seven hold that title when others fall short.
This group of creative wonders also share another unassailable trait: they loved cats.
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The building on the corner was a riot of color. It was as if a Sesame Street character (let’s say Big Bird) had taken a heavy dose of LSD and was given the leftover paint cans from a kindergarten finger paint session and told to cover every surface with color. Also, there is a dumpter full of tossaway toys and vintage remnants to playfully place around the courtyard at Big Bird’s leisure.
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Riches to rags. One of the world’s wealthiest and well-known men once worth $50,000,000 reduced to lying on his death bed with $311 in his bank account. If life is a circus then John Ringling was a human cannonball hurtling through his time on earth, leaving an enduring legacy in his wake.
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A famine had hit the small Italian village hard and people were getting desperate. The hunger pangs were relentless, every scrap of food was fiercely guarded, and gaunt hollow faces wandered the streets in search of sustenance.
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This story begins with a young man, a rug, and nine books. He spreads the rug out under the shade of a lone tree and sets the books out in a neat little display to catch the eye of passersby. A few stray cats amble up and silently lay down beside him. As people walk past, he picks a book up, begins to read it and is instantly transported to another world.
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Somewhere in the ether, some unforeseen force pointed me in the direction of a new biography about Robert Crumb, and before I even knew what happened, I had ordered it from our local bookstore (thanks for the locals’ discount, Shery!) and quickly became immersed in its pages. It is a big book, but after only a few dozen pages, I was already dreading its inevitable ending and the loss of the daily joy of reading it.
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There were no art classes in my high school. Zero. My art education in those days relegated to the notebook margins where I drew towering long-legged cowboys lumbering over the plains of South Dakota as I half listened to Mr. Johnson recounting the Battle of Gettysburg. Later, I was one of nine graduates in the class of 2002 at Tulare High School. Go Chieftains!
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As we passed by doorways framed in ancient timbers, faces began to peer at us from all angles. Villagers, both past and present, loomed above us, their heads immense and unmoving, their eyes seeming to follow our every boisterous step in the morning silence. We were being watched.
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When I start writing about these mural projects, my mind always goes directly to the people behind the project. In this case, it’s Liz and Brad Hilton. We met them on the streets of Grand Haven at an art festival years ago and effortlessly connected. They found a Deep Sea Diver original painting to take home and, as I wrapped it up, they started wondering aloud about the possibility of a mural in their workspace. “I like the way you think,” I replied with a smirk.
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Nine years ago, Ash and I cast off on a great adventure. We quit our jobs and went on the road with our cantankerous two-year old, Ivan, in tow. Also in tow was our sweet little 13’ Scamp - a camper that was our home for nine months and one that still brings a smile to our face when we see them on the road. Our dream was simple: sell some art and see the country as a family. Rat race be damned! We were gonna make it.
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“Stay loose. Stay loose.”
This is my inner mantra in the studio as I paint. This is what I tell myself while on the wall of a mural. Heck, this can apply to most situations in my life. Stay loose. Don’t overthink it. Keep moving.
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As you may have noticed, I’ve been busy painting copious amounts of small paintings. This size has found a niche following and we can’t seem to keep enough of them on hand. They fit my characters well, they’re easy to find a spot for, and the price is right. (There are a handful available in the shop right now. Get ‘em while you can!)
At the same time, as I’ve been cranking away at small objects of art, we made a BIG art move with big brushes this past April. We painted a mural, but not just any mural…our first indoor mural! A mural that allowed us to try a technique we’d been brainstorming for a while.
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When I say the word “Disney”, what feeling does it elicit in you? some are awash in nostalgia as they remember the first time they saw Cinderella get her prince or Snow White defeat her evil stepmother. Others immediately think of Disney theme parks and are typically in one of three camps:
I can’t wait to go back again this year. Last year was SO MUCH FUN! And they year the before that!
I wish I could take the kids, but it’s approximately a million dollars to go.
NEVER AGAIN.
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Another productive year! Last year, I painted 64 paintings and this year I managed to top my previous best by a couple. I continued to refine The Jobs of Yesteryear by using more reference photos when they were available. The end result of this practice is that my paintings have more life in them. Less cartoony, more realism. Overall sentiment about my work over this past year: forging my way forward on this painterly path of progress. Way to paint, me!
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Onto Belgium for a much more rustic experience. After landing in Paris and spending a few days there getting over our jetlag and finding our way to the top of the Eiffel Tower, we made the trip to Bevern aan den IJzer (good luck with that one), a rural farming town within walking distance to the France/Belgium border (we know because we walked to France one evening). Our host, Hendrik, picked us up in his girlfriend’s olive green 1980 Volkswagen Golf and we whizzed through the quaint Belgian countryside as he told us all about the history of the area. We arrived at the brewery and started to settle in.
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The Bloomington Ferry mural went really well. We were working on a construction site and had to get used to painting with hard hats, orange vests, and safety harnesses on. We were also surrounded by tradesmen of all sorts doing their parts on the building and it was fun being one of the crew, albeit the oddball artists.
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“This is crazy,” Ashley said. “Right?”
“Yeah, it’s tight but doable. Nothing can go wrong but I think it can be done.”
We were staring at our August calendar trying to envision painting two very different murals in two very distant locations within the span of three weeks. One in Minnesota; the other across the Atlantic in rural Belgium.
“Yeah, that’s crazy, “ I conceded. “But we do crazy stuff sometimes.”
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